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Tsukasa Hojo

QS-RC-114Manga artist, author of City Hunter, co-founder of CoamixAdvanced Research Case

Cat's Eye, City Hunter, Angel Heart. Three sisters who glide through museums at night as phantom thieves, the sweeper Ryo Saeba who takes 'XYZ' requests on the streets of Shinjuku, and the memories that live on in a transplanted heart. With refined drawing and adult emotion, Tsukasa Hojo brought a new allure to Weekly Shonen Jump in the 1980s. Born in Kokura, Kitakyushu, he studied art at Kyushu Sangyo University, and at twenty his Space Angel received an honourable mention for the Tezuka Award. He made Cat's Eye and City Hunter succeed one after the other, and on 6 April 1987, at twenty-eight, the City Hunter television anime began. He then moved from drawing works to creating the place where works are born: in 2000 he founded Coamix with his colleagues and launched new manga magazines, a rare path for a manga artist. Why were two signature works born one after the other in this period? Why did the one who draws become the one who builds the stage? We read the vessel he was born with against the phases of destiny and time.

At a Glance

The case

Subject
Tsukasa Hojo (北条司) — Manga artist, co-founder of Coamix
Period analysed
1959–2026
Three pillars
Day 丙戌 / Month 丙寅 / Year 己亥
Void branches
午未 (Horse–Goat)
Destiny area
1.08 The area of the triangle formed by the three pillars on the sixty-cycle circle (maximum 1.30)
Format
PDF, 14 pages — written in Japanese
Price
¥50,000 including tax

Research Brief

What the case shows

  1. His destiny binds his own place and the place of society on the largest scale; his effort takes shape in large forms.
  2. The path he chose in his teens, following his own heart, became the starting point of the leap that followed.
  3. His twenties were a decade of tailwind in which the burden he was born with lost its force, and both signature works were born there.
  4. From thirty, forty years of protecting decades continued, and he moved from drawing works to building the stage.
  5. The day the anime began, a year binding the three pillars of his destiny into one overlapped the decade of tailwind.

Questions

The questions the report answers

  • Why were two signature works born one after the other in his twenties?
  • What overlapped on 6 April 1987, the day the television anime began?
  • Why did the one who draws become the one who creates manga magazines?
  • What did the choice of path in his teens bring to the fortune that followed?

Public Record

The record, year by year

Selected events from the public record. Analysis and judgement are given in the report itself.

1979己未 (天)Space Angel receives an honourable mention for the Tezuka Award
1980庚申Debut in Weekly Shonen Jump
1981辛酉Cat's Eye begins
1983癸亥The Cat's Eye television anime begins
1985乙丑City Hunter begins
1987丁卯6 Apr — The City Hunter television anime begins
1991辛未 (天)City Hunter ends
1996丙子Family Compo begins
2000庚辰Coamix is founded
2001辛巳Weekly Comic Bunch launches; Angel Heart begins
2010庚寅Angel Heart 2nd Season begins in Monthly Comic Zenon
2019己亥Chief director of the film Angel Sign

Contents

14 pages

  1. Destiny profile and chart
  2. Yin and yang charts
  3. Axis and type of destiny
  4. Ten-year phases
  5. Composite numerical table
  6. The greater union
  7. The first decade
  8. The decade of tailwind
  9. Twenty years of the first protector
  10. Twenty years of the second protector
  11. The four layers of 6 April 1987
  12. Timeline chart
  13. Public record
  14. Conclusion

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¥50,000incl. tax · PDF · Japanese

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Analysis supervised by FAITH (Makoto Tokunaga) — MSc Economics, University of Warwick · CICP · Shugakuin Saii