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Yoshito Usui

QS-RC-126Manga artist, creator of Crayon Shin-chanAdvanced Research Case

Crayon Shin-chan, Darakuya Store Monogatari, Super Shufu Tsukimi-san. A five-year-old boy, Shinnosuke Nohara of Kasukabe in Saitama, shakes the common sense of the adults around him without a trace of reserve and wraps his family and his town in laughter — through this one child, Yoshito Usui brought laughter and candour into homes across Japan. Born in Shizuoka and raised in Kasukabe, he worked at an advertising company before debuting in 1987 with Darakuya Store Monogatari. In 1990 he began Crayon Shin-chan in the seinen magazine Weekly Manga Action, and with the television anime that began on 13 April 1992 the work became a national story. From 1993 a film was released every year, and The Adult Empire Strikes Back in 2001 moved even its adult audience. In September 2009 he died suddenly at fifty-one. The story continues as New Crayon Shin-chan, drawn by the staff who had worked beside him. Why did a single serial in a magazine for adults become a national story? What was turning in time on that one day? We read the vessel he was born with against his destiny and the phases of time.

At a Glance

The case

Subject
Yoshito Usui (臼井儀人) — Manga artist
Period analysed
1958–2009
Three pillars
Day 戊辰 / Month 丙辰 / Year 戊戌
Void branches
戌亥 (Dog–Boar)
Destiny area
0.95 The area of the triangle formed by the three pillars on the sixty-cycle circle (maximum 1.30)
Format
PDF, 14 pages — written in Japanese
Price
¥50,000 including tax

Research Brief

What the case shows

  1. His destiny holds a structure that grows by walking the opposite road to his parents. It is a structure of the genius type, one that breaks existing values and creates new ones.
  2. His is a destiny that stands in a single generation, without the backing of family or parents. Beginning by his own will and opening the way by his own strength is itself the condition of his success.
  3. At its centre lies an unshakeable vessel in which four stars of defence and self stand in a row. The less he bends to those around him, and the more he holds to his own conviction, the more strength he shows.
  4. From fifteen until his death he never once met a ten-year phase that blew as a tailwind. The tailwind that made his work a national story came from outside, in units of a single year and a single month.
  5. He holds the star by which what one has completed passes into other hands and goes on. In the two years from the year before his death, a structure turned in time by which the ground beneath him became water and gave way. After his sudden death, the story has been carried forward by the staff who had supported him.

Questions

The questions the report answers

  • Why did a single serial in a magazine for adults become a national story?
  • What overlapped on 13 April 1992, the day the television anime began?
  • How could he succeed without ever meeting a tailwind decade?
  • Why does a story that has left its author's hands go on?

Public Record

The record, year by year

Selected events from the public record. Analysis and judgement are given in the report itself.

1958戊戌 (天)Born in Shizuoka; raised in Kasukabe, Saitama
1979己未Joins an advertising company
1987丁卯Debuts with Darakuya Store Monogatari
1990庚午Crayon Shin-chan begins in Weekly Manga Action
1992壬申13 April: the Crayon Shin-chan television anime begins
1993癸酉First film released; the boom begins
1995乙亥 (天)Super Shufu Tsukimi-san serialised
2000庚辰The serial moves to Manga Town
2001辛巳The Adult Empire Strikes Back released
2009己丑September: dies in a fall on Mount Arafune, aged fifty-one
2010庚寅UY Studio begins New Crayon Shin-chan

Contents

14 pages

  1. Destiny profile and chart
  2. Yin and yang charts
  3. Axis and type of destiny
  4. Ten-year phases
  5. Composite numerical table
  6. Reversed pillars and the double void
  7. One point breaking the earth chart
  8. The vessel of four defence stars
  9. Thirty-six years of adverse decades
  10. The collapse underfoot and succession
  11. The four layers of 13 April 1992
  12. Timeline chart
  13. Public record
  14. Conclusion

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Analysis supervised by FAITH (Makoto Tokunaga) — MSc Economics, University of Warwick · CICP · Shugakuin Saii