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Ran Ito

QS-RC-056Singer and actress, formerly of CandiesAdvanced Research Case

Candies, “I want to go back to being an ordinary girl”, Hohoemi Gaeshi. The figure at the centre of a farewell that remains in the history of Showa-era idols. In her teens she stood at the centre of the group; four years after their debut, at the height of their popularity, they announced their break-up. With their last single they reached the top of the chart for the first time, and on 4 April 1978 they drew the curtain at Korakuen Stadium. On that day her ten-year flow had just entered a decade that coincides completely with the destiny she was born with. Two years later she returned as an actress, and after forty-one years she came back to the singing stage. Why did she close the curtain herself at the summit? We read her seventy-odd years against the phases of destiny and time.

At a Glance

The case

Subject
Ran Ito (伊藤蘭) — Singer and actress, formerly of Candies
Period analysed
1955–2026
Three pillars
Day 甲戌 / Month 丁丑 / Year 甲午
Void branches
申酉 (Monkey–Rooster)
Void decades
Ages 33–53 (癸酉 and 壬申 phases)
Destiny area
0.21 The area of the triangle formed by the three pillars on the sixty-cycle circle (maximum 1.30)
Format
PDF, 15 pages — written in Japanese
Price
¥50,000 including tax

Research Brief

What the case shows

  1. Her destiny carries a structure in which parent and self work closely together. It is also a type that raises a house in a single generation and brings it to completion within that generation.
  2. On 17 July 1977, a day on which the element most supportive of her destiny came round twice over, she announced the break-up.
  3. The break-up on 4 April 1978 fell on the 81st day of a ten-year phase carrying the same flow as her natal destiny. That decade was also the one in which work, honour and wealth expand most in her lifetime.
  4. She holds a star that keeps possibility alive in the unfinished rather than in completion. Just after reaching number one for the first time with the last single, she drew the curtain.
  5. The twenty years from thirty-three are a period of void fortune, and her marriage and childbirth fall within it. Afterwards, at the entrance to a decade that supports her destiny, she returned to the singing stage after forty-one years.

Questions

The questions the report answers

  • Why did she close the curtain herself at the summit?
  • What overlapped on 4 April 1978?
  • Where in her destiny were the twenty years of supporting her family placed?
  • Why did she return to the public stage after forty-one years?

Public Record

The record, year by year

Selected events from the public record. Analysis and judgement are given in the report itself.

1955甲午13 Jan — Born in Kichijoji, Tokyo
1969己酉 (天)Enters Tokyo Music School and joins the School Mates
1972壬子Candies is formed
1973癸丑1 Sep — Debuts with “Anata ni Muchu”
1977丁巳17 Jul — Announces the break-up at Hibiya Open-Air Concert Hall
1978戊午25 Feb — “Hohoemi Gaeshi” is released; the group’s first Oricon number one
1978戊午4 Apr — Farewell concert at Korakuen Stadium
1980庚申 (天)Returns in earnest as an actress
1989戊辰 (天)Jan — Marries Yutaka Mizutani
1990庚午Her elder daughter, Shuri, is born
2019己亥29 May — Solo debut, forty-one years on
2023癸卯31 Dec — First solo appearance at Kohaku Uta Gassen

Contents

14 pages

  1. Destiny profile and chart
  2. Yin and yang charts
  3. Axis and type of destiny
  4. Ten-year phases
  5. The four layers of 4 April 1978
  6. The unfinished summit
  7. 1972–1977: Candies
  8. The decade of 律音
  9. The twenty-year void
  10. A destiny that serves as a staff
  11. The phase of the second guardian element
  12. Independent systems
  13. Timeline chart
  14. Public record
  15. Conclusion

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Analysis supervised by FAITH (Makoto Tokunaga) — MSc Economics, University of Warwick · CICP · Shugakuin Saii