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Matsumoto Hakuo II

QS-RC-096Kabuki actor and head of the Koraiya houseAdvanced Research Case

Don Quixote in Man of La Mancha, Benkei in Kanjincho, and the King in The King and I. Matsumoto Kintaro II, Ichikawa Somegoro VI, Matsumoto Koshiro IX and Matsumoto Hakuo II: he has stood on the stage under four names as head of the Koraiya kabuki house. He first appeared at three, left Shochiku for Toho, and played leading roles in English on Broadway and in London's West End. In 1981 he became Koshiro IX, and in 2018 Hakuo II, each time in a succession of three generations at once. His eldest son is Matsumoto Koshiro X; his younger daughter is Takako Matsu. What overlapped in each of the two periods in which a man who made his name across the sea took up a great name? We read it against the phases of destiny and time.

At a Glance

The case

Subject
Matsumoto Hakuo II — Kabuki actor, formerly Matsumoto Koshiro IX, father of Matsumoto Koshiro X and Takako Matsu
Period analysed
1942–2026
Three pillars
Day 甲辰 / Month 戊申 / Year 壬午
Void branches
寅卯 (Tiger–Rabbit)
Destiny area
0.372 The area of the triangle formed by the three pillars on the sixty-cycle circle (maximum 1.30)
Format
PDF, 14 pages — written in Japanese
Price
¥50,000 including tax

Research Brief

What the case shows

  1. His destiny opens its way on the main stage, and turns for the better each time he leaps into an unknown world.
  2. Each time he left the frame of an institution and crossed the sea, his standing on the stage rose.
  3. The period in which he became Koshiro IX lay inside a phase in which the numbers of his fortune fell.
  4. The day he became Hakuo II was placed inside a time in which his bond with that name is thin.
  5. Sharing the same day pillar with his eldest son divides the course of father and son.

Questions

The questions the report answers

  • Why did his standing rise each time he crossed the sea?
  • What overlapped in 1981, when he became Koshiro IX?
  • What overlapped on 2 January 2018, when he became Hakuo II?
  • What relationship binds a father and son who share the same day pillar?

Public Record

The record, year by year

Selected events from the public record. Analysis and judgement are given in the report itself.

1946丙戌First appears on stage at the Tokyo Gekijo and takes the name Matsumoto Kintaro II
1949己丑Takes the name Ichikawa Somegoro VI
1961辛丑Moves from Shochiku to Toho
1969己酉Opens Man of La Mancha at the Imperial Theatre
1970庚戌Plays the lead in Man of La Mancha on Broadway, in English
1981辛酉Takes the name Matsumoto Koshiro IX at the Kabukiza, in a three-generation succession
2018丁酉 (天)2 Jan — takes the name Matsumoto Hakuo II, in a three-generation succession
2022壬寅 (天)Receives the Order of Culture
2023癸卯 (天)Final run of Man of La Mancha

Contents

14 pages

  1. Destiny profile and chart
  2. Yin and yang charts
  3. Axis and type of destiny
  4. Ten-year phases
  5. Composite numerical table
  6. The Tiger–Rabbit void and the six kin
  7. Taking names, crossing the sea
  8. Father and son of the same pillar
  9. Seals and voids
  10. The present ten-year phase, which must be digested
  11. The four layers of October 1981
  12. Timeline chart
  13. Public record
  14. Conclusion

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Analysis supervised by FAITH (Makoto Tokunaga) — MSc Economics, University of Warwick · CICP · Shugakuin Saii