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Naoki Urasawa

QS-RC-122Manga artist, creator of Yawara!, Monster and 20th Century BoysAdvanced Research Case

Yawara!, Master Keaton, Happy!, Monster, 20th Century Boys, Pluto, Billy Bat. A girl who gives her youth to judo, the riddle of serial murders set in Germany, the end of the world that begins in a boyhood secret base, a robot story that redraws Osamu Tezuka's Astro Boy — Naoki Urasawa kept drawing long-form works that pull readers on to the next issue, chapter after chapter, and lifted Japanese manga onto the shelf of the world's stories. Born in Fuchu, Tokyo, he debuted in 1983. Yawara!, begun in 1986, became a social phenomenon and won the Shogakukan Manga Award in 1990. Monster in 1994, 20th Century Boys in 1999, Pluto in 2003: through his thirties and forties he released his major works one after another, twice won the Grand Prize of the Tezuka Osamu Cultural Prize, and received the award for best long-form work at the Angoulême International Comics Festival in France. On 30 August 2008 the first film of 20th Century Boys opened nationwide, and the story spread beyond manga readers to society as a whole. Why did his major works cluster in these twenty years? What was the vessel promised at his birth? We read the vessel he was born with against his destiny and the phases of time.

At a Glance

The case

Subject
Naoki Urasawa (浦沢直樹) — Manga artist
Period analysed
1960–2026
Three pillars
Day 己丑 / Month 丙子 / Year 己亥
Void branches
午未 (Horse–Goat)
Destiny area
0.59 The area of the triangle formed by the three pillars on the sixty-cycle circle (maximum 1.30)
Format
PDF, 14 pages — written in Japanese
Price
¥50,000 including tax

Research Brief

What the case shows

  1. His destiny gathers the ground of daily life and work into a single colour of wealth and popularity. It is the vessel of an entrepreneur, one who keeps wealth and popularity turning.
  2. Two protective forces appear on the surface, yet neither has a footing in reality. It is a destiny that opens its own path by its own ability, without leaning on protection.
  3. The twenty years from age twenty-nine to forty-eight are the period in which his central star surfaces. Almost all of his major works were born within it. The success of this period came from his own ability, and it also carries the rise of his fortune afterwards.
  4. He holds two stars that change form without being bound by experience and rise again from setbacks as many times as needed. They match a career that changed its subject with every work.
  5. The twenty years from age forty-nine are a period in which the flow of time shifts greatly. The release of the 20th Century Boys film came in the last year just before it.

Questions

The questions the report answers

  • Why did his major works cluster in the twenty years of his thirties and forties?
  • What overlapped on 30 August 2008, the day the 20th Century Boys film opened?
  • Where in his destiny was the author who kept pulling readers on to the next issue born?
  • Where in the phases of time do the twenty years from age forty-nine lie?

Public Record

The record, year by year

Selected events from the public record. Analysis and judgement are given in the report itself.

1983癸亥Debuts as a manga artist
1986丙寅Yawara! begins serialisation
1988戊辰Master Keaton begins serialisation
1990庚午 (天)Shogakukan Manga Award for Yawara!
1994甲戌Monster begins serialisation
1999己卯Tezuka Osamu Cultural Prize Grand Prize; 20th Century Boys begins
2003癸未 (天)Pluto begins serialisation
2004甲申Angoulême International Comics Festival, best long-form work
2008戊子30 August: the first 20th Century Boys film opens
2011辛卯 (天)Eisner Award
2023癸卯 (天)Pluto anime, streamed worldwide

Contents

14 pages

  1. Destiny profile and chart
  2. Yin and yang charts
  3. Axis and type of destiny
  4. Ten-year phases
  5. Composite numerical table
  6. The single water branch and the wealth chart
  7. Two rootless guardians
  8. The Horse–Goat void and its two stars
  9. The twenty years of the surfacing main star
  10. The twenty years of the great-luck void
  11. The four layers of 30 August 2008
  12. Timeline chart
  13. Public record
  14. Conclusion

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Analysis supervised by FAITH (Makoto Tokunaga) — MSc Economics, University of Warwick · CICP · Shugakuin Saii